Hildegard von Bingen brought music into a life of religious leadership, poetry, visionary writing and inquiry into the natural world. Working in the medieval Rhineland, she created both the words and melodies of a substantial body of sacred song, alongside the drama Ordo virtutum. Her music belonged to the devotional life of religious communities, yet its expressive scale continues to draw performers far beyond that setting. To begin with one chant is to encounter a single melodic line carrying an unusually vivid imaginative world, without needing to treat her wider achievements as a substitute for listening.
[1][2]Cultural context
Latin Christian monastic culture in the medieval Rhineland; geographic context is not a modern nationality claim.